Skip to main content

Jane Again


I really should be over the moon with excitement for the release of Jane Eyre this week, but I confess I am not. If there's anything I love in the world of film adaptations, it's the obsessive recreation of Jane Eyre every five to ten years. I have watched and rewatched nearly every Jane Eyre adaptation, carefully and giddily comparing the portrayals of Rochester and Jane to determine which - if any - adequately convey the complexity of the literary originals. Until recently, I would have been waiting with baited breath for this release. Until recently, every adaptation fell short. William Hurt, brilliant though he can be, was no Rochester; Orson Welles was too . . . Orson Welles; Timothy Dalton was fabulous, but his companion Jane was so painfully unappealing. They were all good of course, but each left such a wide window for improvement.


Then there was the 2006 BBC adaptation. Surely this could be the last. Toby Stephens and Ruth Wilson were perfect. The length was just right. The flashbacks carried the second half. The conclusion was perfectly satisfying. It was the ideal adaptation. Not another one was needed. Ever.

Yet here we are. Five years later, a new release. I wonder how long I will hold out. A week? A month? Till it comes out on DVD? We shall see.

Comments

  1. Hello, I'm Emily Clare.10 March, 2011 19:56

    hhmmm. we might have to have some kind of marathon to compare all of these...

    ReplyDelete
  2. Unknown13 March, 2011 23:33

    That sounds like a perfect idea.

    ReplyDelete

Post a Comment

Popular posts from this blog

because you were all wondering what I'm writing my dissertation on, here's a brief synopsis of my 'research context': When James Macpherson published his Fragments of Ancient Poetry in 1760, he went to great lengths to make the Fragments appear to be authentic remains of an ancient, heroic oral tradition. His reasons for this were largely political, and as such, influenced the content of the epics themselves. As an attempt to establish a particularly Scottish identity, the poems were quite effective. However, to do so required both a simplification and a manipulation of traditional mythology. Stripped of anagogical significance, the Ossian epics more or less represented an Enlightenment version of history, tradition, and mythic heritage. The stories themselves were changed by their very purpose and in turn changed the manner of representing myth in future narratives. Moreover, the emphasis on the Ossian epics as authentic tales from the past, as ‘fragments,’ served...
6 comments
Read more

window in the sub

Dear Nathaniel, I am microwaving pie that Mom bought up in Oak Glen this week on her way home from the orthodontist. As I put it in the microwave, I was full of sadness that I was not in Oak Glen with her. Why did I not go? I was working. I want to see the trees turn. I want to wander slowly through autumnal gift shops. Under the water, you cannot sense the approach of the seasons. Even here it is difficult because, after all, it's California. But I can still sense it. After three seasons in Illinois and one in Scotland, it must be with me for good. Or at least for a while. Because I am all abuzz with eagerness for fall and winter, for turkeys and dried leaves and Santa. I should start cooking again this fall. Fall foods are my favorite. Baked squash dripping with melted butter and brown sugar, pumpkin soup... this year, if I have enough money, I will put together a holiday dinner for my friends. And we will drink Scandinavian mulled wine, which is the most wonderful thing I have e...
13 comments
Read more

Book of the Week: The Hunger Games

If Cynthia Voigt had written science fiction, it probably would have looked something like The Hunger Games . In Suzanne Collins's newest novel, we meet a protagonist who seems remarkably familiar. Like Voigt's heroines, we understand her story because she seems so much like ourselves - no matter how strenuous or bizarre the circumstances, we feel certain our story would be the same. We, too, would have those resources, that practicality, that certain sensitivity that separates us from the masses. I don't say this critically - it is the book's strongest feature that it identifies with every one of its readers and says 'this could be your story.' It is not just its portrayal of Katniss Everdeen, the novel's heroine, that is familiar. The story takes place in a post-apocalyptic North American nation, Panem. It is a country held together by fear - a fear instilled by the capitol into each of its twelve districts and maintained by a yearly event called the Hunge...
5 comments
Read more