Skip to main content
It occurs to me, now that my blog is in its second year, that I have offered no explanation for its address/title. Yes, 'astollat' and 'wanderlust' do go together. They both have significance and they both relate to myself.

The address refers to the Arthurian heroine Elaine of Astollat, otherwise known as Shalott (that's an island, not an onion). In some stories, Elaine was cursed to dwell in her island bower unable to look out at the world outside her windows. In other stories, she was just a homebody, well-loved by her noble father and brave brothers. In both, she happens to fall in love with Lancelot who already loves Guinevere but admires Elaine more than all others regardless of his preference for married women. In all Elaine narratives, she dies of unrequited love - a mysterious illness that frequently infects poetic figures. Tennyson's two accounts of the story are my favourites. In his poem 'The Lady of Shalott', he implies that Elaine's death was not caused by her love, but by her longing to escape. She is trapped in her mirror-existence, only able to view the world through reflections - never through experience. Thus, when her dead body floats down to Camelot and Lancelot sees her lying pale and cold at the bottom of the boat, he simply observes, 'She has a lovely face. God in his mercy lend her grace.' Kind words for a stranger, signifying that the relationship between them was entirely a matter of Elaine's imagination. The world in Elaine's mirror in unreliable - it is her own vision of things, distanced from real experience, real relation. Her love of Lancelot is arbitrary - he is a traveler to Camelot, the city of her dreams, and she has placed upon his image all of her desires to escape her own walled-in existence.


Of course, it's also a nice melodramatic poem, good for Anne Shirley pageantries and long strolls through birch woods. I chose to use it for the blog because it represents the importance of point of view, of the distinctions between those who travel and those who remain - of which I am both, and of experiencing the world not through observations of cities or accounts of journeys so much as through individual interaction.

I could go on, but I have a sneaking suspicion that this is only interesting to myself. And so I will sign out of here, throw away my apple core, finish the dishes, and try to keep myself from spending the rest of the day watching Monarch of the Glen episodes.


Comments

  1. I stumbled upon your blog through your sister. I love your writing.

    ReplyDelete
  2. Which sister? Was it me? Or the other one? I am so curious...
    Yes, she is an AMAZING writer. :-)

    ReplyDelete
  3. Many thanks for the lovely comments. I'm having trouble with my computer and these comment windows. Every now and then, it won't load it properly. I can read, but I cannot respond (as I am doing now). Forgive the silence, as it is not entirely my fault. And thank you for visiting my blog, you whom I know and you whom I do not know.

    ReplyDelete

Post a Comment

Popular posts from this blog

because you were all wondering what I'm writing my dissertation on, here's a brief synopsis of my 'research context': When James Macpherson published his Fragments of Ancient Poetry in 1760, he went to great lengths to make the Fragments appear to be authentic remains of an ancient, heroic oral tradition. His reasons for this were largely political, and as such, influenced the content of the epics themselves. As an attempt to establish a particularly Scottish identity, the poems were quite effective. However, to do so required both a simplification and a manipulation of traditional mythology. Stripped of anagogical significance, the Ossian epics more or less represented an Enlightenment version of history, tradition, and mythic heritage. The stories themselves were changed by their very purpose and in turn changed the manner of representing myth in future narratives. Moreover, the emphasis on the Ossian epics as authentic tales from the past, as ‘fragments,’ served...

birthday wishlist

Enough people have asked me what I want for my birthday, that I have decided to post a wishlist on this blog. I know that twenty-six is long past the age of getting significant presents, but I also know that there are some people who will buy me things anyway. So I might as well. DVDs and music seem to be the fallback for me. It's difficult to get me something I don't like in this arena - but a list might be helpful. I guess. So I need to replace my copy of The Village, allegedly stolen by druggies. This is a must. I keep forgetting, and then regretting that I don't have it. I don't have any film adaptations of Dickens novels - and no, I don't want Nicholas Nickleby. I like Our Mutual Friend and David Copperfield best. I would love some classic Hitchcock films. I'm not interested in any of the ones with Carey Grant. But I like all of the others. Except maybe the Birds. And I simply love How to Steal a Million with Audrey Hepburn and Peter O'Toole. I don'...

window in the sub

Dear Nathaniel, I am microwaving pie that Mom bought up in Oak Glen this week on her way home from the orthodontist. As I put it in the microwave, I was full of sadness that I was not in Oak Glen with her. Why did I not go? I was working. I want to see the trees turn. I want to wander slowly through autumnal gift shops. Under the water, you cannot sense the approach of the seasons. Even here it is difficult because, after all, it's California. But I can still sense it. After three seasons in Illinois and one in Scotland, it must be with me for good. Or at least for a while. Because I am all abuzz with eagerness for fall and winter, for turkeys and dried leaves and Santa. I should start cooking again this fall. Fall foods are my favorite. Baked squash dripping with melted butter and brown sugar, pumpkin soup... this year, if I have enough money, I will put together a holiday dinner for my friends. And we will drink Scandinavian mulled wine, which is the most wonderful thing I have e...