['Twilight']’s based on a really silly premise: that immortals would go to high school. It's a failure of imagination, but at the same time, that silly premise has provided Stephenie Meyer with huge success," Anne said. "The idea that if you are immortal you would go to high school instead of Katmandu or Paris or Venice, it’s the vampire dumbed down for kids. But it's worked. It's successful. It makes kids really happy.
Sure, calling the Twilight books "silly" isn't very flattering, but "it's worked" and "it's successful" and "it makes kids really happy" sound pretty good to me, considering the vast expanse between Anne Rice's version of vampires and Stephenie Meyer's. The article later concedes she even referred to the concept of Twilight as "almost a stroke of genius." So...why all the fuss? There's a point at which sales figures outweigh any idealistic purism you might have for a genre. I can moan and groan all I want about the absurdity of The Da Vinci Code. Or the inanity of Eat, Pray, Love. After a few million copies fly off the shelves, my convictions just sound a bit...well, pretentious.
So I'd like to tip my hat to Anne - center of so much fuss herself lately - for giving credit where credit is due. There's just no sense arguing with a phenomenon.
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