Skip to main content

seven and a half

It is not good to keep silent.
It is not good to speak.
It is hard to know--there is no knowing
which and what to do.
I shout opinions and crush hearts.
I bury opinions and crush hearts.
Opinions, then,
are deadly things.
They kill with greater efficiency
than the strength of my arm
or the might of my mind.

I would remove them,
but they crop up
with each bite from the fork,
with each perk of the ear.
I would undo them,
but they have already given me
a tainted name.
They have already spoiled
this chat and that shake of the hand.
There is no retrieving the slight,
no replacing it with affirmation,
no recalling it
or calling it by another name.
It is my self-made bane.
Oh be careful little mouth
what you say.

Comments

Popular posts from this blog

Can someone please explain why my Quicktime isn't working? Anyone with prophetic awareness of my little Atlas, none so old but recently behaving so?
because you were all wondering what I'm writing my dissertation on, here's a brief synopsis of my 'research context': When James Macpherson published his Fragments of Ancient Poetry in 1760, he went to great lengths to make the Fragments appear to be authentic remains of an ancient, heroic oral tradition. His reasons for this were largely political, and as such, influenced the content of the epics themselves. As an attempt to establish a particularly Scottish identity, the poems were quite effective. However, to do so required both a simplification and a manipulation of traditional mythology. Stripped of anagogical significance, the Ossian epics more or less represented an Enlightenment version of history, tradition, and mythic heritage. The stories themselves were changed by their very purpose and in turn changed the manner of representing myth in future narratives. Moreover, the emphasis on the Ossian epics as authentic tales from the past, as ‘fragments,’ served...
Kathryn, do NOT be jealous of me going to the opera. It was weird. They were wearing these bulky animal costumes and clonking boots which might have been okay except that their footsteps drowned out the sound of the orchestra (Oh look! A band!). The plot was supposed to be about the circle of life or something deep, but it really seemed to be more about animals getting it on. It was an opera, though, so plot really shouldn't matter as long as the music is good. It wasn't. I mean, it wasn't BAD - but most of the singing was monotonous, the orchestration was unremarkable, and I hope to heaven no one from the production reads this. It would be so disheartening! They were all skillful - I just wasn't interested in the piece itself. But then, I have only ever seen very classical sorts of pieces. The Marriage of Figaro. Samson and Delilah. And I was listening to Puccini before leaving the house! What do you do? But then again, I was distracted by my seating companion. Five so...