Skip to main content

My body aches. Saturday evening, I took two of my flatmates and met several of my friends for the Annual Highland Something, for which the student centre supplies a variety of ceilidhs. There was so much spinning and fiddle-dee-dee (in the words of Tom), that my bones feel flung to bits. But it is a good sort of pain, and I would do it again tomorrow if there was a chance.

Our photographer was not with us, so I have no proof of the adventure apart from my own creaking joints. I'll be sure to fix that next time.

Comments

  1. What is a ceilidh? I suppose I could look it up...
    How fun to fiddle-dee-dee! I feel like the dish ran away with the spoon. Too bad there are no pictures.

    ReplyDelete
  2. a ceilidh is a traditional Scottish dance! It looks something like the raucous dance at the beginning of the newest Pride and Prejudice. the whole room fills with the smell of sweat and beer, and there are fiddles and an occasional bagpipe, and people calling out 'whoop-whoop!' and clapping in time!

    ReplyDelete

Post a Comment

Popular posts from this blog

Can someone please explain why my Quicktime isn't working? Anyone with prophetic awareness of my little Atlas, none so old but recently behaving so?
because you were all wondering what I'm writing my dissertation on, here's a brief synopsis of my 'research context': When James Macpherson published his Fragments of Ancient Poetry in 1760, he went to great lengths to make the Fragments appear to be authentic remains of an ancient, heroic oral tradition. His reasons for this were largely political, and as such, influenced the content of the epics themselves. As an attempt to establish a particularly Scottish identity, the poems were quite effective. However, to do so required both a simplification and a manipulation of traditional mythology. Stripped of anagogical significance, the Ossian epics more or less represented an Enlightenment version of history, tradition, and mythic heritage. The stories themselves were changed by their very purpose and in turn changed the manner of representing myth in future narratives. Moreover, the emphasis on the Ossian epics as authentic tales from the past, as ‘fragments,’ served...
I just finished Shiver , by Maggie Stiefvater, the other day. From the first few chapters, I had every reason to expect this book to rival the other dark-teen-romance novels recently released (you know which ones I mean). And in a way, it did. There was nothing obnoxious about this book. The characters were mostly believable and endearing. The story was subtle and simple. Maybe a little too simple. At times, maybe a little too subtle. The best chapters were the ones from Sam's point of view, when he's a wolf. That doesn't take up a whole lot of the story, unfortunately. I mean, it would seriously hamper the progression of the plot if he was a wolf for much more of the time, but the writing was still at its best then. Perhaps because it seemed that the poetic, lyrical passages were justified. I like Rilke just fine, and I know plenty of people who compose song lyrics in their heads, but Sam as a human was just maybe a little too emo for me. It could just be that I'm almo...