Wangerin, Walter. 'An Advent Monologue.' Ragman and Other Cries of Faith.' New York: Harper Collins, 2004.
transcribed from the first part:
I love a child.
But she is afraid of me.
I want to help this child, so terribly in need of help. For she is hungry; her cheeks are sunk to the bone; but she knows little of food, less of nutrition. I know both these things. She is cold, and she is dirty; she lives at the end of a tattered hallway, three flights up in a tenement whose landlord long forgot the human bodies huddled in that place. But I know how to build a fire; and I know how to wash a face.
She is retarded, if the truth be told, thick in her tongue, slow in her mind, yet aware of her infirmity and embarrassed by it. But here am I, well-traveled throughout the universe, and wise, and willing to share my wisdom.
She is lonely all the day long. She sits in a chair with her back to the door, her knees tucked tight against her breasts, her arms around these, her head down. And I can see how her hair hangs to her ankles; but I cannot see her face. She's hiding. If I could but see her face and kiss it, why I could draw the loneliness out of her.
She sings a sort of song to pass the time, a childish melody, though she is a woman in her body by its shape, a swelling at her belly. She sings, "Puss, puss." I know the truth, that she is singing of no cat at all, but of her face, sadly, calling it ugly. And I know the truth, that she is right. But I am mightily persuasive myself, and I could make it lovely by my love alone.
I love the child.
But she is afraid of me.
transcribed from the first part:
I love a child.
But she is afraid of me.
I want to help this child, so terribly in need of help. For she is hungry; her cheeks are sunk to the bone; but she knows little of food, less of nutrition. I know both these things. She is cold, and she is dirty; she lives at the end of a tattered hallway, three flights up in a tenement whose landlord long forgot the human bodies huddled in that place. But I know how to build a fire; and I know how to wash a face.
She is retarded, if the truth be told, thick in her tongue, slow in her mind, yet aware of her infirmity and embarrassed by it. But here am I, well-traveled throughout the universe, and wise, and willing to share my wisdom.
She is lonely all the day long. She sits in a chair with her back to the door, her knees tucked tight against her breasts, her arms around these, her head down. And I can see how her hair hangs to her ankles; but I cannot see her face. She's hiding. If I could but see her face and kiss it, why I could draw the loneliness out of her.
She sings a sort of song to pass the time, a childish melody, though she is a woman in her body by its shape, a swelling at her belly. She sings, "Puss, puss." I know the truth, that she is singing of no cat at all, but of her face, sadly, calling it ugly. And I know the truth, that she is right. But I am mightily persuasive myself, and I could make it lovely by my love alone.
I love the child.
But she is afraid of me.
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