Skip to main content

Book of the Week


I am very good at having favorites. Every week during storytime, I tell the kids: 'this is one of my favorites!' and then inwardly roll my eyes. They are all 'my favorites'. But there are a few that really are. The Miraculous Journey of Edward Tulane, for example. Or Lewis's Till We Have Faces. I could read these books twenty times over and still feel that they are new to me. Among my true favorites, there are few picture books. Not because I am a snob about chapters, but it's difficult for me to put picture books in the same category as chapter books to begin with - and then to compare them? It just seems awkward.
But let me tell you about The Rough-Faced Girl. If I can. The little blurb on the inside flap calls it a Cinderella story, and I suppose it is that. More than suppose - there's a girl who sits by the cinders, who is mocked by her two proud sisters, who is chosen by the 'prince' instead of them, who is rescued from penury and obscurity by his love. So it's a Cinderella story. It's also a reminder that the Cinderella story is universal precisely because it is the human story. When reading The Rough-Faced Girl, you know yourself to be the mocked and scarred daughter, lost among the ashes. And you know yourself to be the proud sisters, arrogantly assuming the love of the Invisible Being without ever having seen his face - never having sought it! But you know, and you hope. And hope is not an inclination or even a determination, but a faith. And so, again, you are the rough-faced girl.
Reading The Rough-Faced Girl is rather like reading the verses from the book of Hebrews that tell you to approach the throne of grace with confidence. Confidently vulnerable, having seen his face.
I was surprised, picking it up just now, to see that David Shannon did the illustrations. I just read How I Became a Pirate an hour ago for storytime (I love saying 'scurvy dog'), and I cannot imagine less-related images than Braid Beard's motley crew and the powerful illustrations of this Algonquin legend. Kudos, Mr. Shannon. Three cheers and a bottle of brandy. Anyway, read the book. And buy it. And give it to everyone for Christmas.

Comments

Popular posts from this blog

Can someone please explain why my Quicktime isn't working? Anyone with prophetic awareness of my little Atlas, none so old but recently behaving so?
because you were all wondering what I'm writing my dissertation on, here's a brief synopsis of my 'research context': When James Macpherson published his Fragments of Ancient Poetry in 1760, he went to great lengths to make the Fragments appear to be authentic remains of an ancient, heroic oral tradition. His reasons for this were largely political, and as such, influenced the content of the epics themselves. As an attempt to establish a particularly Scottish identity, the poems were quite effective. However, to do so required both a simplification and a manipulation of traditional mythology. Stripped of anagogical significance, the Ossian epics more or less represented an Enlightenment version of history, tradition, and mythic heritage. The stories themselves were changed by their very purpose and in turn changed the manner of representing myth in future narratives. Moreover, the emphasis on the Ossian epics as authentic tales from the past, as ‘fragments,’ served...
I just finished Shiver , by Maggie Stiefvater, the other day. From the first few chapters, I had every reason to expect this book to rival the other dark-teen-romance novels recently released (you know which ones I mean). And in a way, it did. There was nothing obnoxious about this book. The characters were mostly believable and endearing. The story was subtle and simple. Maybe a little too simple. At times, maybe a little too subtle. The best chapters were the ones from Sam's point of view, when he's a wolf. That doesn't take up a whole lot of the story, unfortunately. I mean, it would seriously hamper the progression of the plot if he was a wolf for much more of the time, but the writing was still at its best then. Perhaps because it seemed that the poetic, lyrical passages were justified. I like Rilke just fine, and I know plenty of people who compose song lyrics in their heads, but Sam as a human was just maybe a little too emo for me. It could just be that I'm almo...