Skip to main content

reflections on a tome


Reading Les Miserables (very slowly), I am fascinated by the Bishop's encounter with the dying revolutionary in the first book. The revolutionary, named only G--, debates the justification of the French Revolution with the uncharacteristically indignant priest:

'Monsieur, forget not this; the French revolution had its reasons. Its wrath will be pardoned by the future; its result is a better world. From its most terrible blows comes a caress for the human race.... Yes, the brutalities of progress are called revolutions. When they are over, this is recognised: that the human race has been harshly treated, but that it has advanced.'

Strange words, looking back. The wrath of the revolution has never been pardoned. We have only condemned it more and more ardently as time has passed - even though we would have condemned the persistence of the monarchy just as vehemently had it not been cut short. The French revolution had its reasons; so did the gulags; so does the Sudanese government. Cruelty often has its reasons. It doesn't matter if the cat is rude; you don't go round burning its tail. It is worse by far when madness takes compassion for its mantra. How do you argue against that? I am glad it is God who must distinguish between the compassion of the individual and the terror of that individual's army - who must distinguish and then mete out justice. I am baffled by it all.

Comments

  1. this post reminded me of flannery, which is always a good thing:

    "In the absence of this faith now, we govern by tenderness. It is a tenderness which, long since cut off from the person of Christ, is wrapped in theory. When tenderness is detached from the source of tenderness, its logical outcome is terror. It ends in forced labor camps and in the fumes of the gas chamber."

    merry christmas.

    b.

    ReplyDelete

Post a Comment

Popular posts from this blog

Can someone please explain why my Quicktime isn't working? Anyone with prophetic awareness of my little Atlas, none so old but recently behaving so?
because you were all wondering what I'm writing my dissertation on, here's a brief synopsis of my 'research context': When James Macpherson published his Fragments of Ancient Poetry in 1760, he went to great lengths to make the Fragments appear to be authentic remains of an ancient, heroic oral tradition. His reasons for this were largely political, and as such, influenced the content of the epics themselves. As an attempt to establish a particularly Scottish identity, the poems were quite effective. However, to do so required both a simplification and a manipulation of traditional mythology. Stripped of anagogical significance, the Ossian epics more or less represented an Enlightenment version of history, tradition, and mythic heritage. The stories themselves were changed by their very purpose and in turn changed the manner of representing myth in future narratives. Moreover, the emphasis on the Ossian epics as authentic tales from the past, as ‘fragments,’ served...
I just finished Shiver , by Maggie Stiefvater, the other day. From the first few chapters, I had every reason to expect this book to rival the other dark-teen-romance novels recently released (you know which ones I mean). And in a way, it did. There was nothing obnoxious about this book. The characters were mostly believable and endearing. The story was subtle and simple. Maybe a little too simple. At times, maybe a little too subtle. The best chapters were the ones from Sam's point of view, when he's a wolf. That doesn't take up a whole lot of the story, unfortunately. I mean, it would seriously hamper the progression of the plot if he was a wolf for much more of the time, but the writing was still at its best then. Perhaps because it seemed that the poetic, lyrical passages were justified. I like Rilke just fine, and I know plenty of people who compose song lyrics in their heads, but Sam as a human was just maybe a little too emo for me. It could just be that I'm almo...