And now as we lay down to sleep, O Master, grant us repose both of body and of soul, and keep us from the dark passions of the night. Subdue Thou the assaults of passions. Quench the fiery darts of the Wicked One which are thrown insidiously at us; calm the commotions of our flesh and put away all thoughts about worldly and material things as we go to sleep. Grant us, O god, a watchful mind, chaste thoughts, a sober heart, and a gentle sleep, free from all the fantasies of Satan. And raise us up again at the hour of prayer, established in Thy commandments and holding steadfast within ourselves the remembrance of Thy judgments. Give us the words of Thy glorification all night long, that we may praise, bless, and glorify Thy most honorable and magnificent name, O Father, Son and Holy Spirit, now and ever, and unto ages of ages. Amen.
because you were all wondering what I'm writing my dissertation on, here's a brief synopsis of my 'research context': When James Macpherson published his Fragments of Ancient Poetry in 1760, he went to great lengths to make the Fragments appear to be authentic remains of an ancient, heroic oral tradition. His reasons for this were largely political, and as such, influenced the content of the epics themselves. As an attempt to establish a particularly Scottish identity, the poems were quite effective. However, to do so required both a simplification and a manipulation of traditional mythology. Stripped of anagogical significance, the Ossian epics more or less represented an Enlightenment version of history, tradition, and mythic heritage. The stories themselves were changed by their very purpose and in turn changed the manner of representing myth in future narratives. Moreover, the emphasis on the Ossian epics as authentic tales from the past, as ‘fragments,’ served...
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