Skip to main content
People often think of Christian morality as a kind of bargain in which God says, "If you keep a lot of rules, I'll reward you, and if you don't I'll do the other thing." I do not think that is the best way of looking at it. I would much rather say that every time you make a choice you are turning the central part of you, the part that chooses, into something a little different from what it was before. And taking your life as a whole, with all your innumerable choices, all your life long you are slowly turning this central thing either into a Heaven creature or into a hellish creature: either into a creature that is in harmony with God, and with other creatures, and with itself, or else into one that is in a state of war and hatred with God, and with its fellow creatures, and with itself. To be the one kind of creature is Heaven: that is joy, and peace, and knowledge, and power. To be the other means madness, horror, idiocy, rage, impotence, and eternal loneliness. Each of us at each moment is progressing to the one state or the other.

-C. S. Lewis, taken from The Joyful Christian

As a side note, I'd like to add that the progress toward either rarely looks like much of an epic battle of decisions. 'The line dividing good and evil cuts through the heart of every human being.' It's an unremarkable line with remarkable consequences. Let no one fool you; the progress toward hellishness is a gently sloping downhill ride in the calm of mid-afternoon. The progress toward Heaven is narrow and riddled with innumerable annoyances and seemingly unnecessary sacrifices. It will seem irrational and inconsequential, but take the harder way.

Comments

Popular posts from this blog

Can someone please explain why my Quicktime isn't working? Anyone with prophetic awareness of my little Atlas, none so old but recently behaving so?
because you were all wondering what I'm writing my dissertation on, here's a brief synopsis of my 'research context': When James Macpherson published his Fragments of Ancient Poetry in 1760, he went to great lengths to make the Fragments appear to be authentic remains of an ancient, heroic oral tradition. His reasons for this were largely political, and as such, influenced the content of the epics themselves. As an attempt to establish a particularly Scottish identity, the poems were quite effective. However, to do so required both a simplification and a manipulation of traditional mythology. Stripped of anagogical significance, the Ossian epics more or less represented an Enlightenment version of history, tradition, and mythic heritage. The stories themselves were changed by their very purpose and in turn changed the manner of representing myth in future narratives. Moreover, the emphasis on the Ossian epics as authentic tales from the past, as ‘fragments,’ served...
Rounding out my year of dwelling in the Athens of the North, as Edinburgh was called during the Enlightenment, I have experienced the shortest night of my memory. Around eleven o'clock last night, I closed the curtains to a sky streaked with the dark blue of a finally setting sun. I fully intended to drop off to sleep immediately after, but as I usually do, found myself still putting around after two in the morning. Between the curtains, which I had not closed as well as I should have, I noticed something unusual. There was unnaturally natural light streaming through. I opened them wide only to find the sky streaked with the same blue they had been filled with but three hours before. Had there been any night at all? If so, I had closed my curtains to it, only to find morning rising just as sleep found me - morning in the middle of the night. Long live Scotland.