Skip to main content

Limited

I have always been fascinated by limited edition books, books as art, cover graphics, unique bindings, etc. So you can imagine my fascination and delight when I came across Puffin's limited edition collection of Treasure Island, The Secret Garden, James and the Giant Peach, and several others. It reminds me of the Penguin video made in response to the ebook phenomenon during the series of clips made for the publisher's 75th birthday (yes, that's this year) in which some Penguin designers discussed the increased importance of cover graphics in the digital age. We will be much more likely to consider a physical book worth spending money on if we find it beautiful on the outside as well as within.


Penguin has long taken that seriously, and this is yet another testament to how much so. My only sorrow (apart from the fact that the Lauren Child edition of The Secret Garden is already sold out) is that these are products of Penguin UK - not Penguin USA. Deep, deep sigh.

Comments

Popular posts from this blog

Can someone please explain why my Quicktime isn't working? Anyone with prophetic awareness of my little Atlas, none so old but recently behaving so?
because you were all wondering what I'm writing my dissertation on, here's a brief synopsis of my 'research context': When James Macpherson published his Fragments of Ancient Poetry in 1760, he went to great lengths to make the Fragments appear to be authentic remains of an ancient, heroic oral tradition. His reasons for this were largely political, and as such, influenced the content of the epics themselves. As an attempt to establish a particularly Scottish identity, the poems were quite effective. However, to do so required both a simplification and a manipulation of traditional mythology. Stripped of anagogical significance, the Ossian epics more or less represented an Enlightenment version of history, tradition, and mythic heritage. The stories themselves were changed by their very purpose and in turn changed the manner of representing myth in future narratives. Moreover, the emphasis on the Ossian epics as authentic tales from the past, as ‘fragments,’ served...
I just finished Shiver , by Maggie Stiefvater, the other day. From the first few chapters, I had every reason to expect this book to rival the other dark-teen-romance novels recently released (you know which ones I mean). And in a way, it did. There was nothing obnoxious about this book. The characters were mostly believable and endearing. The story was subtle and simple. Maybe a little too simple. At times, maybe a little too subtle. The best chapters were the ones from Sam's point of view, when he's a wolf. That doesn't take up a whole lot of the story, unfortunately. I mean, it would seriously hamper the progression of the plot if he was a wolf for much more of the time, but the writing was still at its best then. Perhaps because it seemed that the poetic, lyrical passages were justified. I like Rilke just fine, and I know plenty of people who compose song lyrics in their heads, but Sam as a human was just maybe a little too emo for me. It could just be that I'm almo...