Skip to main content

Steampunk Day Three, Just a Quick Link


Scott Westerfield picked up on the steampunk train because he is smart about stories and creative with his brain. Mucho kudos to him for that. But as much as you should read his books (Leviathan, for a start, which is sitting by my bedside even now), you should also read his blog. If nothing else, read it for phrases like "RATHER MORE BAD" referring to costumed Storm Troopers as opposed to aristocratic nobility, all in response to that Charles Stross article that's got steamers all fabulously defensive of their genre. Gah. He's delightful.

Charles Stross, on the other hand, is not. At least not in this post. We'd probably have some lovely conversations over even lovelier tea in any other context. But really, only someone very short-sighted would be so condescending both to history and to fanboys all in one fell swoop - and on the internet, no less! The irony will come around in about a hundred years when Stross's grandchildren look at our generation and call us dictatorial barbarians with no sensitivity or intelligence or sense of democratic well-being, and then criticize their own novelists for romanticizing our own period. My dear one, it is fiction. This is about as nutty as previous linkage to readers getting up in arms over the difference in vampire skin conditions between paranormal authors. Not to mention the fact that the moment you start thinking your own generation is so much better than the last one, you fail to learn from it.

Comments

Popular posts from this blog

Can someone please explain why my Quicktime isn't working? Anyone with prophetic awareness of my little Atlas, none so old but recently behaving so?
because you were all wondering what I'm writing my dissertation on, here's a brief synopsis of my 'research context': When James Macpherson published his Fragments of Ancient Poetry in 1760, he went to great lengths to make the Fragments appear to be authentic remains of an ancient, heroic oral tradition. His reasons for this were largely political, and as such, influenced the content of the epics themselves. As an attempt to establish a particularly Scottish identity, the poems were quite effective. However, to do so required both a simplification and a manipulation of traditional mythology. Stripped of anagogical significance, the Ossian epics more or less represented an Enlightenment version of history, tradition, and mythic heritage. The stories themselves were changed by their very purpose and in turn changed the manner of representing myth in future narratives. Moreover, the emphasis on the Ossian epics as authentic tales from the past, as ‘fragments,’ served...
Rounding out my year of dwelling in the Athens of the North, as Edinburgh was called during the Enlightenment, I have experienced the shortest night of my memory. Around eleven o'clock last night, I closed the curtains to a sky streaked with the dark blue of a finally setting sun. I fully intended to drop off to sleep immediately after, but as I usually do, found myself still putting around after two in the morning. Between the curtains, which I had not closed as well as I should have, I noticed something unusual. There was unnaturally natural light streaming through. I opened them wide only to find the sky streaked with the same blue they had been filled with but three hours before. Had there been any night at all? If so, I had closed my curtains to it, only to find morning rising just as sleep found me - morning in the middle of the night. Long live Scotland.