sit, pause, think, act.

'The choice before humans would then be framed differently: are you going to worship the creator God and discover thereby what it means to become fully and gloriously human, reflecting his powerful, healing, transformative love into the world? Or are you going to worship the world as it is, boosting your corruptible humanness by gaining power or pleasure from forces within the world but merely contributing to your own dehumanization and the further corruption of the world itself?'

N. T. Wright, Surprised by Hope

(and if you have time, check out this sermon from the week before last. it was rather enjoyable, and by that i do not mean heart-warming but more like sobering. and don't not listen 'cause you're not 'in the right mindset' or something cop-out like that. turn off the tv or mute it at least and take half an hour out of your unexamined life to gratify my bloggish demands.)

Comments

Popular posts from this blog

because you were all wondering what I'm writing my dissertation on, here's a brief synopsis of my 'research context': When James Macpherson published his Fragments of Ancient Poetry in 1760, he went to great lengths to make the Fragments appear to be authentic remains of an ancient, heroic oral tradition. His reasons for this were largely political, and as such, influenced the content of the epics themselves. As an attempt to establish a particularly Scottish identity, the poems were quite effective. However, to do so required both a simplification and a manipulation of traditional mythology. Stripped of anagogical significance, the Ossian epics more or less represented an Enlightenment version of history, tradition, and mythic heritage. The stories themselves were changed by their very purpose and in turn changed the manner of representing myth in future narratives. Moreover, the emphasis on the Ossian epics as authentic tales from the past, as ‘fragments,’ served...

birthday wishlist

Enough people have asked me what I want for my birthday, that I have decided to post a wishlist on this blog. I know that twenty-six is long past the age of getting significant presents, but I also know that there are some people who will buy me things anyway. So I might as well. DVDs and music seem to be the fallback for me. It's difficult to get me something I don't like in this arena - but a list might be helpful. I guess. So I need to replace my copy of The Village, allegedly stolen by druggies. This is a must. I keep forgetting, and then regretting that I don't have it. I don't have any film adaptations of Dickens novels - and no, I don't want Nicholas Nickleby. I like Our Mutual Friend and David Copperfield best. I would love some classic Hitchcock films. I'm not interested in any of the ones with Carey Grant. But I like all of the others. Except maybe the Birds. And I simply love How to Steal a Million with Audrey Hepburn and Peter O'Toole. I don'...

Book of the Week: The Hunger Games

If Cynthia Voigt had written science fiction, it probably would have looked something like The Hunger Games . In Suzanne Collins's newest novel, we meet a protagonist who seems remarkably familiar. Like Voigt's heroines, we understand her story because she seems so much like ourselves - no matter how strenuous or bizarre the circumstances, we feel certain our story would be the same. We, too, would have those resources, that practicality, that certain sensitivity that separates us from the masses. I don't say this critically - it is the book's strongest feature that it identifies with every one of its readers and says 'this could be your story.' It is not just its portrayal of Katniss Everdeen, the novel's heroine, that is familiar. The story takes place in a post-apocalyptic North American nation, Panem. It is a country held together by fear - a fear instilled by the capitol into each of its twelve districts and maintained by a yearly event called the Hunge...

A Single Layer

Search This Blog