Skip to main content

Calvary

Thinking about The Greater Trumps (which I'll be rereading in the next few weeks), The Place of the Lion, and That Hideous Strength (not by Williams, but written in his style for his honor) and the significance of the single house outside the city where everything comes to a head. It should have been obvious, I suppose, but I hadn't thought the phrase 'outside the city' until I came upon some old college notes remarking on the importance of the city as a place of interdependence and coinherence. Picturing Anthony riding through the city on his flaming horse, then the car carrying Lothair out of the city and his daughter's strange vision... to a house on a hill, or in a valley, or between the trees, where the Fool dances or the fire rages or the beasts of the earth and the birds of the air flock with graven insistence. It always comes to a head outside the city.

Comments

Popular posts from this blog

because you were all wondering what I'm writing my dissertation on, here's a brief synopsis of my 'research context': When James Macpherson published his Fragments of Ancient Poetry in 1760, he went to great lengths to make the Fragments appear to be authentic remains of an ancient, heroic oral tradition. His reasons for this were largely political, and as such, influenced the content of the epics themselves. As an attempt to establish a particularly Scottish identity, the poems were quite effective. However, to do so required both a simplification and a manipulation of traditional mythology. Stripped of anagogical significance, the Ossian epics more or less represented an Enlightenment version of history, tradition, and mythic heritage. The stories themselves were changed by their very purpose and in turn changed the manner of representing myth in future narratives. Moreover, the emphasis on the Ossian epics as authentic tales from the past, as ‘fragments,’ served...

walmart

I haven't been to a Walmart in several years. They weird me out and make me very angry with human beings. Those long aisles of cheap toys and garden rakes spell destruction and abuse. A world gone awry, globalism at its most careless and unimaginative. Well, I went yesterday. I needed to buy some crafty things for work, and since it's not my money, I had to do it the cheapest way possible. Ugh. Let me tell you how not to walk into Walmart. First, do not listen to Radiohead's 'Sit Down. Stand Up.' while you drive there and park. 'Walk into the jaws of hell...' is not a line you want playing in your head as you trudge slow motion through the hottest day of summer over the asphalt and into those doors. Also, bring a map if you can. Because circling around the perimeter of the store, dodging impulse displays and mothers with rolly carts, staring down the vast aisles of disposable kitchenware in search of puff balls and glitter paint... it can be disorienting if ...

birthday wishlist

Enough people have asked me what I want for my birthday, that I have decided to post a wishlist on this blog. I know that twenty-six is long past the age of getting significant presents, but I also know that there are some people who will buy me things anyway. So I might as well. DVDs and music seem to be the fallback for me. It's difficult to get me something I don't like in this arena - but a list might be helpful. I guess. So I need to replace my copy of The Village, allegedly stolen by druggies. This is a must. I keep forgetting, and then regretting that I don't have it. I don't have any film adaptations of Dickens novels - and no, I don't want Nicholas Nickleby. I like Our Mutual Friend and David Copperfield best. I would love some classic Hitchcock films. I'm not interested in any of the ones with Carey Grant. But I like all of the others. Except maybe the Birds. And I simply love How to Steal a Million with Audrey Hepburn and Peter O'Toole. I don'...