Skip to main content
Thanksgiving 2009

I want to be writing in my journal, but I burned my finger on the gravy and can't hold a pen properly. Typing is easier.

Stuffed, of course, on turkey and two kinds of yams and mashed potatoes and green beans and rolls. Dad and I walked for about fifteen minutes beforehand, collecting red leaves on First Street. We'll be frosting cookies in a bit, as soon as we can pop the dishes into the second dishwasher load. I took some blurry pictures of the table before dinner. Tried to take a picture of myself in the cornucopihat. Blurry.

It is the day to be thankful, and I am.

I am thankful for my parents, that they're interesting every day. That they don't freak out when I pour gravy on myself for no reason. For being steady.

I am thankful for my sister in Africa, for finding joy and living as fully as she can wherever she is. I am thankful for my sister in California, for being more faithful than nature. For both of them – for loving me like I'm more fascinating than I am.

I am thankful for my brother, for being brave and patient with the world. For believing foolishly.

I am thankful for the view out my window, for everyone who lives boldly in the open across the street.

For this past Monday, for wisdom and the peace of family who aren't family. For conversation and wine and infinity scarves in the fading light.

For writing till it hurts and the coffee that attends it, for criticism that constructs, for absurd word games and Lebanese food. You're in that, Jenny Bellington.

I'm thankful for Portfolio, but if I'm honest with myself, I've owed more to Starbucks with their consistency and ubiquity than to any other company.

For love that I ask for and love that I don't. For waking after strange dreams. For pages and pens. For C. S. Lewis (I'm reading you tonight) and Walter Wangerin Jr. and Frederic Buechner, and a host of smarter men than me. Not that I'm a man. But you get what I'm saying.

For learning my weaknesses and discovering that I can put my foot down and leave it there with happiness.

For Icarus – though you haven't spoken to me in years. For Eros – though you have grown up without me. I owe more to the two of you than to any other men.

For poetic code names no one understands but me.

For Kathryn and Chaeli, for keeping me in your hearts and hunting me down regardless of where I go in my head.

For grace. For spades of oceans of grace. For the seamonster that devours all my errors. For the Violet Burning (That's not a poetic code name. It's a band.) and for hymns. For Beth Balmer and the liturgy. For Grace Brethren, St Francis, New Life, St Andrew's, Church of the Resurrection, and Church of the Great Shepherd. Those who criticize the Church have not known you.

For my grandmother, who is gone. I wish you knew me now – the awkward phase is mostly over. You would have taught me to knit a cable knit sweater fit for an Atlantic fisherman.

I have been inordinately blessed.

To the one who gives more than I can return, I thank you.

Comments

  1. That is, the kind of tear that comes down the face from the eye... not the other kind. Like I have in my pants that need to be replaced.
    Darn. I've lost the solemnity of the moment!

    ReplyDelete
  2. you are so wonderful. i bought you a birthday present today.

    ReplyDelete
  3. I am going to cry, like I always do with your best and most thoughtful writing. Sigh.

    I feel content in life, and you are a huge part of that.

    Thanks for being my friend.

    ReplyDelete

Post a Comment

Popular posts from this blog

Can someone please explain why my Quicktime isn't working? Anyone with prophetic awareness of my little Atlas, none so old but recently behaving so?
because you were all wondering what I'm writing my dissertation on, here's a brief synopsis of my 'research context': When James Macpherson published his Fragments of Ancient Poetry in 1760, he went to great lengths to make the Fragments appear to be authentic remains of an ancient, heroic oral tradition. His reasons for this were largely political, and as such, influenced the content of the epics themselves. As an attempt to establish a particularly Scottish identity, the poems were quite effective. However, to do so required both a simplification and a manipulation of traditional mythology. Stripped of anagogical significance, the Ossian epics more or less represented an Enlightenment version of history, tradition, and mythic heritage. The stories themselves were changed by their very purpose and in turn changed the manner of representing myth in future narratives. Moreover, the emphasis on the Ossian epics as authentic tales from the past, as ‘fragments,’ served...
Kathryn, do NOT be jealous of me going to the opera. It was weird. They were wearing these bulky animal costumes and clonking boots which might have been okay except that their footsteps drowned out the sound of the orchestra (Oh look! A band!). The plot was supposed to be about the circle of life or something deep, but it really seemed to be more about animals getting it on. It was an opera, though, so plot really shouldn't matter as long as the music is good. It wasn't. I mean, it wasn't BAD - but most of the singing was monotonous, the orchestration was unremarkable, and I hope to heaven no one from the production reads this. It would be so disheartening! They were all skillful - I just wasn't interested in the piece itself. But then, I have only ever seen very classical sorts of pieces. The Marriage of Figaro. Samson and Delilah. And I was listening to Puccini before leaving the house! What do you do? But then again, I was distracted by my seating companion. Five so...