Skip to main content

A Toast


As promised, my poem to the writer's workshop:

A Toast 
(variations on “An Appeal” by Czeslaw Milosz)
To you, O Church, to you I lift this glass of cheap grape juice.
I lift it in irony, because I am deeply flawed.
I lift it in sorrow, because so are you.
And I lift it in brave, bold hope. To you,
bored bride, wherever you are.
In the creaking building, by the heartless fountain,
sitting in the last bright light above the hazy port.
I drink to you with no better question 
than the far better poet asked some sixty years ago:
“Whether you really think that this world is your home?”
That the skin and bones are stretched as they ought around
the mortal-heavy embers of your heart? 
That the words and the songs are the first and the last
and they signify nothing but the certainty of this hour?
Probably you know very well the hot objection of injustice.
That every tumor and scar, barrenness and hunger, mewling,
limping life states otherwise.
But it is more than brokenness. 
It is the hope of our tongues.
“If one day our words come so close...”
is the promise of the resurrection―
not of the dead, but of the man in the cave,
watching shadows of what he would be,
if he would but be right.
This is why we write. Why we put the pen to page.
Why we speak the great Amen in ink and keyboard clicks
again and again.
Because before Adam fell, God gave him a work.
This is why we name things. 
“If one day our words...”
I call you brother, sister, that you might be that to me.
I call this wine and blood, and so it also is.
For what we bind on earth, and what we name, are sealed so―
not in our hearts, but here, at this table,
in the creaking building, by the heartless fountain,
sitting in the last bright light above the hazy port.
It is our words that prove us wanderers.
We wait for the creed to be-come before us,
and we flit solemnly from phrase to phrase meanwhile.
Because at any moment, whether the light streaks hallowed
between celestial cloud banks or not,
whether the waves crash just so, 
or a strain of music happens to waft
over a wall of climbing honeysuckle, regardless,
the word becomes flesh.
And dwells among us.

Comments

  1. So beautifully written. You should write more!

    ReplyDelete
  2. Very beautiful, Molly. Touching.

    ReplyDelete
  3. Very beautiful, Molly. Touching.

    ReplyDelete
  4. Hi Molly,

    I was looking for a quick quote from "An Appeal" and ended up here, and read your poem, and not only is it beautiful in its own right but it really serves as a powerful exposition of the original. You expressed what I've so often tried to say - "For what we bind on earth, and what we name, are sealed so" -- and of course, this is incarnational work. Thank you!

    zac

    ReplyDelete

Post a Comment

Popular posts from this blog

because you were all wondering what I'm writing my dissertation on, here's a brief synopsis of my 'research context': When James Macpherson published his Fragments of Ancient Poetry in 1760, he went to great lengths to make the Fragments appear to be authentic remains of an ancient, heroic oral tradition. His reasons for this were largely political, and as such, influenced the content of the epics themselves. As an attempt to establish a particularly Scottish identity, the poems were quite effective. However, to do so required both a simplification and a manipulation of traditional mythology. Stripped of anagogical significance, the Ossian epics more or less represented an Enlightenment version of history, tradition, and mythic heritage. The stories themselves were changed by their very purpose and in turn changed the manner of representing myth in future narratives. Moreover, the emphasis on the Ossian epics as authentic tales from the past, as ‘fragments,’ served...

walmart

I haven't been to a Walmart in several years. They weird me out and make me very angry with human beings. Those long aisles of cheap toys and garden rakes spell destruction and abuse. A world gone awry, globalism at its most careless and unimaginative. Well, I went yesterday. I needed to buy some crafty things for work, and since it's not my money, I had to do it the cheapest way possible. Ugh. Let me tell you how not to walk into Walmart. First, do not listen to Radiohead's 'Sit Down. Stand Up.' while you drive there and park. 'Walk into the jaws of hell...' is not a line you want playing in your head as you trudge slow motion through the hottest day of summer over the asphalt and into those doors. Also, bring a map if you can. Because circling around the perimeter of the store, dodging impulse displays and mothers with rolly carts, staring down the vast aisles of disposable kitchenware in search of puff balls and glitter paint... it can be disorienting if ...

birthday wishlist

Enough people have asked me what I want for my birthday, that I have decided to post a wishlist on this blog. I know that twenty-six is long past the age of getting significant presents, but I also know that there are some people who will buy me things anyway. So I might as well. DVDs and music seem to be the fallback for me. It's difficult to get me something I don't like in this arena - but a list might be helpful. I guess. So I need to replace my copy of The Village, allegedly stolen by druggies. This is a must. I keep forgetting, and then regretting that I don't have it. I don't have any film adaptations of Dickens novels - and no, I don't want Nicholas Nickleby. I like Our Mutual Friend and David Copperfield best. I would love some classic Hitchcock films. I'm not interested in any of the ones with Carey Grant. But I like all of the others. Except maybe the Birds. And I simply love How to Steal a Million with Audrey Hepburn and Peter O'Toole. I don'...