Skip to main content

Academia


I have included, to the left of all this nonsense, several links to a variety of pages of present interest or necessity to me. There you will find a link to my sister's wedding blog, the premier website on Marx, and a variety of other things (more to come, of course). The Marx, Hume, Pitkin, and Locke sites all link to essays that I am presently reading or rereading for my academic pursuits. Here are some questions I have to consider for next Wednesday's course.

1. Try to extract the central ideas from Adorno and Horkheimer. What version or versions of the enlightenment project are described here?

2. Compare Defoe’s story to Locke’s second treatise. Within a few pages Defoe says both that he was “reduced to a mere state of nature” and that “I might call my self King, or Emperor over the whole Country”. What are the politics of Crusoe’s island? Think especially about his relation to Friday, of course.

3. To sum up one of the topics discussed in this weeks’ seminar: Locke demystifies or “disenchants” (to adapt Weber’s term) the idea of kingship or sovereignty by arguing that its authority does not come directly from God, but from the law of nature (whose rightness however we can be sure of because of its origin in God’s will). Crusoe’s story is, on the one hand, the story of his relationship with nature; but also, on the other hand, the story of his relationship with God. How are the two related in this novel?

4. “World domination over nature turns against the thinking subject himself; nothing is left of him but that eternally same I think that must accompany all my ideas” (Adorno and Horkheimer p.26). Unlike Oroonoko, Crusoe gets to tell his own story. What are the characteristics and function of the first-person narrative voice here?


Doesn't that just sound exciting?

Comments

  1. my head hurts just from reading the questions :P
    maybe i'll just stay at Sylvan and Fleming's and not go back to grad school :P

    MIss you so much!

    ReplyDelete
  2. Oh, Second Jess, be not concerned at your ability to manuever the great Mind of academia. Nobody knows what they're talking about, and we are all fearful students. It only takes time to learn familiarity. Take heart!

    ReplyDelete
  3. My apologies - I just do not have the brain power to even read those question.
    Your graduate program is way more intense than mine. Perhaps it is because yours is in Scotland and mine is just in Ventura...

    ReplyDelete

Post a Comment

Popular posts from this blog

Can someone please explain why my Quicktime isn't working? Anyone with prophetic awareness of my little Atlas, none so old but recently behaving so?
because you were all wondering what I'm writing my dissertation on, here's a brief synopsis of my 'research context': When James Macpherson published his Fragments of Ancient Poetry in 1760, he went to great lengths to make the Fragments appear to be authentic remains of an ancient, heroic oral tradition. His reasons for this were largely political, and as such, influenced the content of the epics themselves. As an attempt to establish a particularly Scottish identity, the poems were quite effective. However, to do so required both a simplification and a manipulation of traditional mythology. Stripped of anagogical significance, the Ossian epics more or less represented an Enlightenment version of history, tradition, and mythic heritage. The stories themselves were changed by their very purpose and in turn changed the manner of representing myth in future narratives. Moreover, the emphasis on the Ossian epics as authentic tales from the past, as ‘fragments,’ served
Kathryn, do NOT be jealous of me going to the opera. It was weird. They were wearing these bulky animal costumes and clonking boots which might have been okay except that their footsteps drowned out the sound of the orchestra (Oh look! A band!). The plot was supposed to be about the circle of life or something deep, but it really seemed to be more about animals getting it on. It was an opera, though, so plot really shouldn't matter as long as the music is good. It wasn't. I mean, it wasn't BAD - but most of the singing was monotonous, the orchestration was unremarkable, and I hope to heaven no one from the production reads this. It would be so disheartening! They were all skillful - I just wasn't interested in the piece itself. But then, I have only ever seen very classical sorts of pieces. The Marriage of Figaro. Samson and Delilah. And I was listening to Puccini before leaving the house! What do you do? But then again, I was distracted by my seating companion. Five so