Skip to main content

wanderlust

I am going home tomorrow morning. This is a strange idea. It will be a stranger reality. I am glad to go home, glad to step away from this world for just a moment, to better see it new and fresh but familiar when I return. More than this, I am glad for my sister's wedding. Glad for the vows, the strange appearance of extended family members, the green skirt. Glad for seeing my brother and my mother and everyone. Glad for the twos-on-twos.

On the airplane, I will do my best to blitz through Samuel Richardson's Pamela. I will ignore the assigned readings of Foucault's "The Deployment of Sexuality," in part because I couldn't get it at the library and because I don't want to buy it, but most of all because I simply don't want to read it. I will read the essay by Adorno instead, and the chapter of Adorno and Horkheimer that I couldn't finish last night. I will listed to Rob D on my iPod. I will buy an overpriced sandwich in the airport. One of the airports. I will drink lots of coffee to leapfrog the timezones. I will think of all my friends in far away places, of all their travelling, and all my sitting still.

Until then, I should think about packing. I am taking some small gifts, almost unmentionable they are so inadequate for the occasion. And I am bringing home one pair of shoes. And I am bringing some clothes for the few days of running about, and a dress for the rehearsal dinner. (Is this cataloguing the result of reading Robinson Crusoe? I am so easily manipulated in my style. Oh dear...)

On a different note, I need some suggestions about where I should go during Christmas Break, and what I should do when I get there. Anyone have any ideas? I'm thinking Rome or Paris... or both. Or should I stay cheap and not wander far? Oxford... Manchester... Please feel free to suggest. I'm sure I'll bring the question up again closer to the season.

Until the bells are rung, the doves releases, and the tule removed from the construction zone, I will be silent. Enjoy my absence....

Comments

  1. I hate to disappoint but there will no bells or doves and (hopefully) an amazing lack of tulle as well.
    I am sooo excited for your coming! Have a fantabulous flight and trip and all that and I will see you Friday! Yay!

    ReplyDelete
  2. please go to oxford and take lots of winter pictures of my town for me. maybe i can come too? (yeah right).

    however...... where would jane austen go? I think perhaps Italy. Think Room with a View....

    ReplyDelete
  3. Go first somewhere much warmer in the south. Then go somewhere much colder in the north, so that coming back to Scotland the temperature will be just right.

    ReplyDelete
  4. I can't enjoy your absence anymore.

    My brain hurtz.

    ReplyDelete

Post a Comment

Popular posts from this blog

Can someone please explain why my Quicktime isn't working? Anyone with prophetic awareness of my little Atlas, none so old but recently behaving so?
because you were all wondering what I'm writing my dissertation on, here's a brief synopsis of my 'research context': When James Macpherson published his Fragments of Ancient Poetry in 1760, he went to great lengths to make the Fragments appear to be authentic remains of an ancient, heroic oral tradition. His reasons for this were largely political, and as such, influenced the content of the epics themselves. As an attempt to establish a particularly Scottish identity, the poems were quite effective. However, to do so required both a simplification and a manipulation of traditional mythology. Stripped of anagogical significance, the Ossian epics more or less represented an Enlightenment version of history, tradition, and mythic heritage. The stories themselves were changed by their very purpose and in turn changed the manner of representing myth in future narratives. Moreover, the emphasis on the Ossian epics as authentic tales from the past, as ‘fragments,’ served
Kathryn, do NOT be jealous of me going to the opera. It was weird. They were wearing these bulky animal costumes and clonking boots which might have been okay except that their footsteps drowned out the sound of the orchestra (Oh look! A band!). The plot was supposed to be about the circle of life or something deep, but it really seemed to be more about animals getting it on. It was an opera, though, so plot really shouldn't matter as long as the music is good. It wasn't. I mean, it wasn't BAD - but most of the singing was monotonous, the orchestration was unremarkable, and I hope to heaven no one from the production reads this. It would be so disheartening! They were all skillful - I just wasn't interested in the piece itself. But then, I have only ever seen very classical sorts of pieces. The Marriage of Figaro. Samson and Delilah. And I was listening to Puccini before leaving the house! What do you do? But then again, I was distracted by my seating companion. Five so