Skip to main content

The Lament for Icarus, by Herbert Draper

saw this in the library today. well, in a book in the library. the real thing's in the tate gallery. took my breath away. thought i'd share...

Comments

  1. Can we please go to the Tate Gallery together?

    ReplyDelete
  2. One of my favorite paintings ever.

    ReplyDelete
  3. yes, we can go to the tate gallery, as long as you don't mind me standing in front of this (and a few other) painting(s) for about twenty minutes or more.

    ReplyDelete
  4. Group trip! I'm sure we could get a discount.
    We will take our time, I promise. And no falling asleep like I almost did in Scotland...

    ReplyDelete
  5. that was totally justified. you walked how many miles into the city right after your flight? and those were really nice couches in that gallery, soft and round and red...

    ReplyDelete
  6. Only 20 minutes? I could camp in front of this painting and just be awed and sad at the same time. So, see, I have to come, too.

    ReplyDelete

Post a Comment

Popular posts from this blog

Can someone please explain why my Quicktime isn't working? Anyone with prophetic awareness of my little Atlas, none so old but recently behaving so?
because you were all wondering what I'm writing my dissertation on, here's a brief synopsis of my 'research context': When James Macpherson published his Fragments of Ancient Poetry in 1760, he went to great lengths to make the Fragments appear to be authentic remains of an ancient, heroic oral tradition. His reasons for this were largely political, and as such, influenced the content of the epics themselves. As an attempt to establish a particularly Scottish identity, the poems were quite effective. However, to do so required both a simplification and a manipulation of traditional mythology. Stripped of anagogical significance, the Ossian epics more or less represented an Enlightenment version of history, tradition, and mythic heritage. The stories themselves were changed by their very purpose and in turn changed the manner of representing myth in future narratives. Moreover, the emphasis on the Ossian epics as authentic tales from the past, as ‘fragments,’ served...
I just finished Shiver , by Maggie Stiefvater, the other day. From the first few chapters, I had every reason to expect this book to rival the other dark-teen-romance novels recently released (you know which ones I mean). And in a way, it did. There was nothing obnoxious about this book. The characters were mostly believable and endearing. The story was subtle and simple. Maybe a little too simple. At times, maybe a little too subtle. The best chapters were the ones from Sam's point of view, when he's a wolf. That doesn't take up a whole lot of the story, unfortunately. I mean, it would seriously hamper the progression of the plot if he was a wolf for much more of the time, but the writing was still at its best then. Perhaps because it seemed that the poetic, lyrical passages were justified. I like Rilke just fine, and I know plenty of people who compose song lyrics in their heads, but Sam as a human was just maybe a little too emo for me. It could just be that I'm almo...